Artistic intent is an often-debated mode of dissecting a finished product. What the artist went into the project intending to render presumably dictates the manner in which we, as audience members and general consumers of art, perceive. With film, it’s also common conception that, once the piece is finished and released into the world, 50% of its production now lies in the hands of the audience. The thought is that a movie doesn’t fully exist without someone to watch and perceive it. Both concepts are true, while neither holds predominant sway over the reception of art. What we go into an experience knowing, or not knowing, can drastically alter our perception of any given event. But while in the moment of interpretation, we are subject to a series of perceptions that exist independently of pre-defined knowledge.